“Who, if not us?”: researcher Kseniya Knyazeva on Belarusian theatre, the phenomenon of émigré readings, and a professional mission
Theatre researcher and critic Kseniya Knyazeva talks about how she came to theatre studies, about criticism and teaching in Belarus and Lithuania, about which theatre matters today, and about the phenomenon of émigré staged readings and the results of the first Dramatyzacyja.
An interview with Belarusian director, playwright and musician Zhenia Davidzenka
Zhenia Davidzenka — a Belarusian director, playwright and musician — talks about writing plays on emigration, choosing a language, national identity, theatre-and-music projects, and how her texts come into being.
How the Belarusian playwriting of the 2020s becomes a reflection of socio-political transformations and a space of memory in our society
An analysis of the newest Belarusian playwriting: its key themes, the problem of identity, texts as a space of memory, documentality and performativity — and the mission of theatre as a form of therapy and activism in a period of socio-political transformation.